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Albrecht Durer
Sele-Portrait with Bandage
mk168
204x208cm
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Albrecht Durer
Durer-s wife Agnes
mk168
156x98mm
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Albrecht Durer
Girl in Cologne Attire and Agnes Durer
mk168
129x190mm
Vienna,Albertina
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Albrecht Durer
Self-Portrait with sea holly
mk168
56.5x44.5cm
Paris
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Albrecht Durer
Self-portrait in the nude
mk168
pen and brush
291x153mm
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Albrecht Durer
Christ,Man of Sorrow,with Durer-s Features
mk168
1522
Drawing in Lead-point
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Albrecht Durer
Sele-portrait with Landscape
mk168
52x41cm
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Albrecht Durer
The Cathedral of Aix-la-chapelle
mk168
126x177mm
London
The British Museum
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Albrecht Durer
Desiderius Erasmus of Rotterdam
mk168
1520
Charcoal on paper
373x271mm
Pairs
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Albrecht Durer
The Harbor at Antwerp
mk168
pen and ink on paper
213x283mm
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Albrecht Durer
The City hall of Alx-la-Chapelle
mk168
127x189mm
Musee Conde
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Albrecht Durer
The Choir of the Great Church inbergen op zoom near the upper border
mk168
132x182mm
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Albrecht Durer
Anne with the virgin and the infant Christ
mk168
1519
oIL
60X50CM
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Albrecht Durer
Eobanus Hesse with the monogram of the artist
mk168
169x117mm
London
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Albrecht Durer
The Church of St.John
mk168
Watercolor and tempera on paper
290x423mm
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Albrecht Durer
The Willow mills on the pegnitz
mk168
watercolor and tempera on paper
251x367cm
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Albrecht Durer
The Wire-Drawing Mill on the pegnita
mk168
Silverpoint on prepared paper
151x228mm
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Albrecht Durer
The covered Footbridge at the haller Gate in Nuremberg
mk168
Pen and ink on paper with touches of watercolor
160x323mm
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Albrecht Durer
Emperor charlemagne
mk168
215x115.3cm
oil on lindenwood
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Albrecht Durer
Emperor charlemagne
mk168
Oil on canvas
85x65cm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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